While travelling in Gippsland researching my book Thicker Than Water (to be published Spring 2016, by HarperCollins, plug plug), I fell in with the aboriginal artist Steaphan Paton and the photographer Cam Cope, both born and bred in the area.
Together we collaborated on a project riffing on the myth of the captive white woman of Gippsland, a strange and disturbing episode in Australian colonial history in which my relative Angus McMillan is inextricably tangled.
An exhibition of the series of photographs produced by us during a road trip through historically significant Gippsland sites – as well as a solo installation by Steaphan – is now on show at the Anna Pappas Gallery in Prahran, Melbourne, on until 9 May 2015.
A glossy zine containing images from the project as well as writing on the subject of the white woman and the frontier violence of 1840s Gippsland has also been produced. It will be on sale at the art book fair at the National Gallery of Victoria; any remaining copies I imagine will soon appear for sale on Cam’s handy web-shop here.
Images from the project have been featured in Art Collector magazine in Australia.