I had an interview in this weekend’s Sunday Times with Michel Faber, the author of Under The Skin, The Crimson Petal and the White, and the recently announced Saltire book of the year The Book of Strange New Things.
We spoke about the grieving process after the death of his wife Eva last year, his pacifist beliefs and his growing sense of belonging in Scotland thanks to the Saltire win. Not before time – he has lived in the Highlands, near Tain, for more than 20 years, but has always felt something of an “alien” he says, and has never really integrated.
The Sunday Times piece can be found here, or a slightly longer version is also available after the fold.
It didn’t make the piece, but he also spoke very interestingly on the writing process – particularly the no-nonsense approach he took to his first book The Crimson Petal and the White (he wrote the first version as a student, although it was not published until after his critically-acclaimed ‘debut’ with Under The Skin). Having started, but not completed, many novels, he decided to very carefully structure his next attempt, taking inspiration from the Victorian novels he was studying for his literature degree (particularly, Middlemarch) – down to the paragraph, even. After which he could work through the plan very diligently, marking off his progress as he went.
The book went through two or three redrafts, but the back of the work had been broken. It was published in 2002 and received rave reviews, later being adapted as a TV series for the BBC starring Romola Garai. He has retained this highly structured process through his later books, although he has spoken elsewhere of making efforts to allow his latest novel more space to grow “organically”.